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    <loc>https://www.ericpottersound.com/blog</loc>
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    <lastmod>2017-08-26</lastmod>
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      <image:title>adventures in sound effects recording</image:title>
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  <url>
    <loc>https://www.ericpottersound.com/blog/2017/8/25/nascar-fun-on-steven-soderberghs-logan-lucky</loc>
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    <priority>0.5</priority>
    <lastmod>2017-08-26</lastmod>
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    <loc>https://www.ericpottersound.com/blog/2017/3/16/on-location</loc>
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    <lastmod>2017-05-26</lastmod>
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      <image:title>adventures in sound effects recording - On Location</image:title>
      <image:caption>Hanging out in Park City, UT.</image:caption>
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  <url>
    <loc>https://www.ericpottersound.com/photos</loc>
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    <lastmod>2017-08-03</lastmod>
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      <image:title>evidence - sound effects recording for the Stuka Siren in Dunkirk</image:title>
      <image:caption>Richard King had been experimenting with sirens at home, striving to recreate the classic, terrifying dive-bombing siren sound of the German Stuka planes of WWII.  things quickly got too loud for the neighborhood, so he declared it a field recording mission, and we took it out to one of my favorite desert recording areas.  after a day of experimenting with different perspectives, we felt the need to make it sound more complex and chaotic.  on this session, we focused on using various resonators that the siren could physically activate, hoping it would induce a more gnarly, out of control vibration.  on the way to our location, i had scoured the esert for junk piles, and found this wonderful 55 gallon drum.  we put the siren on the solid end, as well as inside the drum, and i mic'd the drum in a few different places, as well as the siren itself.  this was the breakthrough we needed!  it really helped take the sound from that of a fire engine to a more beastly WWII aircraft fuselage.</image:caption>
    </image:image>
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      <image:title>evidence - sound effects recording for the Stuka Siren in Dunkirk</image:title>
      <image:caption>Richard King had been experimenting with sirens at home, striving to recreate the classic, terrifying dive-bombing siren sound of the German Stuka planes of WWII.  things quickly got too loud for the neighborhood, so he declared it a field recording mission, and we took it out to one of my favorite desert recording areas.  after a day of experimenting with different perspectives, we felt the need to make it sound more complex and chaotic.  on this session, we focused on using various resonators that the siren could physically activate, hoping it would induce a more gnarly, out of control vibration.  on the way to our location, i had scoured the esert for junk piles, and found this wonderful 55 gallon drum.  we put the siren on the solid end, as well as inside the drum, and i mic'd the drum in a few different places, as well as the siren itself.  this was the breakthrough we needed!  it really helped take the sound from that of a fire engine to a more beastly WWII aircraft fuselage.</image:caption>
    </image:image>
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      <image:title>evidence</image:title>
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      <image:title>evidence</image:title>
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      <image:title>evidence</image:title>
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      <image:title>evidence</image:title>
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      <image:title>evidence</image:title>
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      <image:title>evidence</image:title>
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  <url>
    <loc>https://www.ericpottersound.com/new-gallery</loc>
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    <priority>0.75</priority>
    <lastmod>2021-03-08</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/58cb23711b10e3d3306e4744/1501733187043-3IYV5FDYUB6TE0HITPX6/image-asset.jpeg</image:loc>
      <image:title>DUNKIRK's divebombing Stuka Sirens - Dunkirk Stuka Siren earlier session with TV shell EP, RK, Randy, mics</image:title>
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      <image:title>DUNKIRK's divebombing Stuka Sirens - Dunkirk Stuka Siren earlier session with TV shell EP, RK, Randy, mics</image:title>
      <image:caption />
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    <image:image>
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      <image:title>DUNKIRK's divebombing Stuka Sirens - sound effects recording for the Stuka Siren in Dunkirk</image:title>
      <image:caption>Richard King had been experimenting with sirens at home, striving to recreate the classic, terrifying dive-bombing siren sound of the German Stuka planes of WWII.  things quickly got too loud for the neighborhood, so he declared it a field recording mission, and we took it out to one of my favorite desert recording areas.  after a day of experimenting with different perspectives, we felt the need to make it sound more complex and chaotic.  on this session, we focused on using various resonators that the siren could physically activate, hoping it would induce a more gnarly, out of control vibration.  on the way to our location, i had scoured the  desert for junk piles, and found this wonderful 55 gallon drum.  we put the siren on the solid end, as well as inside the drum, and i mic'd the drum in a few different places, as well as the siren itself.  this was the breakthrough we needed!  it really helped take the sound from that of a fire engine to a more beastly WWII aircraft fuselage.</image:caption>
    </image:image>
    <image:image>
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      <image:title>DUNKIRK's divebombing Stuka Sirens</image:title>
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      <image:title>DUNKIRK's divebombing Stuka Sirens - DUNKIRK's Stuka siren desert session: CU of siren, barrel, recorder</image:title>
      <image:caption>evolution of the Stuka Siren recordings used for the divebombing scenes in Christopher Nolan's Dunkirk. Eric Potter recording, Richard King at my variac, working the pitch. see more at the website, Eric Potter's Adventures in Sound - www.ericpottersound.com</image:caption>
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    <image:image>
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      <image:title>DUNKIRK's divebombing Stuka Sirens - DUNKIRK's Stuka siren desert session: CU of siren, barrel, recorder</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58cb23711b10e3d3306e4744/1501731647820-W6KCE8NNDMKMP3RA4GSM/image-asset.jpeg</image:loc>
      <image:title>DUNKIRK's divebombing Stuka Sirens - Richard King on the variac, Eric Potter recording the Stuka Siren effect for DUNKIRK</image:title>
      <image:caption>evolution of the Stuka Siren recordings used for the divebombing scenes in Christopher Nolan's Dunkirk.  i found this 55 gallon drum, and thought it would make a nice resonator, creating more airplane-like vibrations.  Eric Potter recording, Richard King is cranking my variac to make the siren sing.     see more at the website,  Eric Potter's Adventures in Sound - www.ericpottersound.com</image:caption>
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      <image:title>DUNKIRK's divebombing Stuka Sirens - DUNKIRK Trailer 2 (Extended) 2017</image:title>
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  <url>
    <loc>https://www.ericpottersound.com/new-blog</loc>
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    <lastmod>2017-08-26</lastmod>
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      <image:title>NASCAR fun on  Steven Soderbergh's LOGAN LUCKY</image:title>
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  <url>
    <loc>https://www.ericpottersound.com/new-blog/2017/8/25/getting-the-nascar-sound-on-track</loc>
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    <priority>0.5</priority>
    <lastmod>2017-08-26</lastmod>
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  <url>
    <loc>https://www.ericpottersound.com/contact</loc>
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    <lastmod>2017-05-26</lastmod>
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  <url>
    <loc>https://www.ericpottersound.com/about</loc>
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    <lastmod>2017-05-26</lastmod>
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      <image:title>about</image:title>
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  <url>
    <loc>https://www.ericpottersound.com/blade-runner-2049-is-out-now</loc>
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    <lastmod>2017-10-28</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/58cb23711b10e3d3306e4744/1507263288109-BZFCEZ4E9KYIVFYMFUHP/bladreunner+2049+bus+stop.jpg</image:loc>
      <image:title>Blade Runner 2049 is out now!</image:title>
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  <url>
    <loc>https://www.ericpottersound.com/solo-a-star-wars-story</loc>
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    <lastmod>2018-05-14</lastmod>
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      <image:title>SOLO - a star wars sound story</image:title>
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    <loc>https://www.ericpottersound.com/new-page</loc>
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    <priority>1.0</priority>
    <lastmod>2020-02-20</lastmod>
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      <image:title>New Page</image:title>
      <image:caption>Steve Bush’s 1959 Ferrari Testa Rossa (TR). we tried to color-match the mic cable tape with the interior ;-)</image:caption>
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      <image:title>New Page</image:title>
      <image:caption>we planned nearly a whole day to carefully rig up the TR. this was our one best chance to get the most visceral note we could find. John (right) looks for more cable routing possibilities while i listen for possible interferences.</image:caption>
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      <image:title>New Page</image:title>
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      <image:title>New Page</image:title>
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